Photography Feed | Luke Secomb

Avenged Sevenfold: Johnny Christ

2025-06-28T11:49:34.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/320 sec. — ƒ/4.5 — 200mm — ISO 320

Avenged Sevenfold: M.Shadows

2025-06-28T11:32:54.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/320 sec. — ƒ/5 — 200mm — ISO 100

Avenged Sevenfold: Synyster Gates

2025-06-28T11:26:53.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/320 sec. — ƒ/4.5 — 200mm — ISO 250

Jinjer: Eugene Abdukhanov

2025-06-28T05:44:56.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/800 sec. — ƒ/4.5 — 195mm — ISO 640

Jinjer: Eugene Abdukhanov

2025-06-28T05:43:04.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/800 sec. — ƒ/4.5 — 200mm — ISO 640

Jinjer: Vladyslav Ulasevych

2025-06-28T05:42:50.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/800 sec. — ƒ/4.5 — 200mm — ISO 1000

Jinjer: Tatiana Shmayluk

2025-06-28T05:38:16.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/1000 sec. — ƒ/5 — 179mm — ISO 100

Jinjer: Vladyslav Ulasevych

2025-06-28T05:22:46.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/1000 sec. — ƒ/4.5 — 200mm — ISO 1250

Jinjer: Roman Ibramkhalilov

2025-06-28T05:21:12.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/1000 sec. — ƒ/4.5 — 200mm — ISO 1000

Jinjer: Roman Ibramkhalilov

2025-06-28T05:11:21.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/1000 sec. — ƒ/4.5 — 200mm — ISO 125

Malevolence: Josh Baines

2025-05-18T11:56:45.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/160 sec. — ƒ/4 — 40mm — ISO 2000

Malevolence: Josh Baines & Wilkie Robinson

2025-05-18T11:54:19.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/125 sec. — ƒ/3.5 — 32mm — ISO 5000

Deficit: Mac Ryan

2025-05-18T11:26:31.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/250 sec. — ƒ/4 — 83mm — ISO 4000

Zuko: Nato Laenen

2025-05-18T10:43:33.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/80 sec. — ƒ/4 — 75mm — ISO 1000

Shadows of the Undertow: Russel Jackson

2025-05-09T13:35:20.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/100 sec. — ƒ/4 — 85mm — ISO 2500

Shadows of the Undertow: Simone Rodrigues

2025-05-09T13:27:14.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/40 sec. — ƒ/4.5 — 150mm — ISO 500

Shadows of the Undertow: Lindsay Mercovich

2025-05-09T13:05:50.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/100 sec. — ƒ/4.5 — 124mm — ISO 1600

Hence the Testbed

2025-05-09T11:22:24.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/4 sec. — ƒ/6.3 — 45mm — ISO 100

Hence the Testbed: Sam Harris

2025-05-09T11:03:42.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/80 sec. — ƒ/4 — 100mm — ISO 320

Insomnium: Tomy Laisto

2025-05-07T13:22:52.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/80 sec. — ƒ/4 — 79mm — ISO 2500

Insomnium: Niilo Sevänen & Tomy Laisto

2025-05-07T13:00:57.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/80 sec. — ƒ/3.5 — 33mm — ISO 3200

Insomnium: Niilo Sevänen

2025-05-07T12:44:30.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/100 sec. — ƒ/4 — 78mm — ISO 6400

Omnium Gatherum: Markus Vanhala

2025-05-07T11:20:00.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/60 sec. — ƒ/4 — 79mm — ISO 2000

Immorium

2025-05-07T10:35:42.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/50 sec. — ƒ/4 — 49mm — ISO 800

Immorium: Dan Norton

2025-05-07T10:28:08.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/80 sec. — ƒ/4 — 88mm — ISO 1000

Psychedelic Porn Crumpets

2025-03-28T10:07:34.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/50 sec. — ƒ/4 — 46mm — ISO 400

Psychedelic Porn Crumpets

2025-03-28T10:00:06.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 2 sec. — ƒ/11 — 62mm — ISO 100

Psychedelic Porn Crumpets: Luke Parish

2025-03-28T09:39:21.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/100 sec. — ƒ/3.2 — 24mm — ISO 100

Eviscerate The Crown: Liam Carroll

2025-03-22T11:47:19.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/100 sec. — ƒ/4 — 69mm — ISO 1600

Eviscerate The Crown: Dale Hunt

2025-03-22T11:37:02.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/40 sec. — ƒ/4 — 61mm — ISO 800

Eviscerate The Crown: Jaxon Forster

2025-03-22T11:19:41.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/60 sec. — ƒ/4.5 — 111mm — ISO 400

Eviscerate The Crown: Shiloh Ford

2025-03-22T11:15:09.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/80 sec. — ƒ/4 — 62mm — ISO 800

Telurian: Liam Thompson

2025-03-22T10:17:39.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/80 sec. — ƒ/4 — 104mm — ISO 640

Telurian: Lochlan Hunt

2025-03-22T10:16:29.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/80 sec. — ƒ/4.5 — 148mm — ISO 1600

Russian Novel: Jesse Canning

2025-03-22T09:48:44.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/100 sec. — ƒ/4 — 65mm — ISO 1250

Russian Novel: Rohan Macdonald

2025-03-22T09:32:23.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/100 sec. — ƒ/4.5 — 172mm — ISO 1250

Russian Novel: Mardy Leith

2025-03-22T09:24:11.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/30 sec. — ƒ/4 — 102mm — ISO 1000

DSC05460

2025-03-21T11:27:30.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/60 sec. — ƒ/4 — 45mm — ISO 6400

Voodoo Acid Space Kings: Saxon Davis

2025-03-21T10:18:40.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/60 sec. — ƒ/4 — 76mm — ISO 640

Voodoo Acid Space Kings: Matt Davis

2025-03-21T10:13:11.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/80 sec. — ƒ/4 — 48mm — ISO 6400

Sylosis: Josh Middleton

2025-02-15T12:10:53.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/80 sec. — ƒ/4.5 — 145mm — ISO 200

Angelmaker: Casey

2025-02-15T10:18:03.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/200 sec. — ƒ/4.5 — 179mm — ISO 3200

Enforcer: Olof & Jonathan

2025-01-23T11:16:04.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/320 sec. — ƒ/4 — 84mm — ISO 4000

Voodoo Acid Space Kings

2025-01-23T10:03:58.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/200 sec. — ƒ/4 — 102mm — ISO 4000

Future Static: Jackson Trudel

2025-01-17T11:23:31.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/160 sec. — ƒ/4 — 68mm — ISO 500

Aurateque: Luke Denniss

2025-01-17T08:46:03.000Z

Sony RX100 VII - 24-200mm ƒ/2.8-4.5 — 1/160 sec. — ƒ/4 — 83mm — ISO 2000

MR2

2023-07-14T16:22:37.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/4000 sec. — ƒ/4 — 36mm — ISO 100

Mazda RX7

2023-07-08T17:03:52.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/1600 sec. — ƒ/4 — 38mm — ISO 500

Mazda RX7: Open Door

2023-07-08T17:02:28.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/1000 sec. — ƒ/4 — 27mm — ISO 500

Mazda RX7

2023-07-08T16:50:47.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/400 sec. — ƒ/4 — 67mm — ISO 320

Mazda RX7

2023-07-08T16:47:36.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/2000 sec. — ƒ/4 — 55mm — ISO 320

Mazda RX7

2023-07-08T16:41:32.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/3200 sec. — ƒ/4 — 57mm — ISO 320

Mazda RX7

2023-07-08T16:39:02.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/2000 sec. — ƒ/4 — 53mm — ISO 320

Mazda RX7: Red Seats

2023-07-08T16:31:31.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/1000 sec. — ƒ/4 — 49mm — ISO 200

Canberra 7s 2023 - A Rousing Rotary Tribute

More info at Official Mazda Australia

Mazda RX7: JDM Tours

2023-07-08T16:23:47.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/4000 sec. — ƒ/4 — 32mm — ISO 200

Dogfight

2023-07-08T16:22:54.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/2500 sec. — ƒ/4 — 70mm — ISO 200

Canberra 7s 2023 - A Rousing Rotary Tribute

More info at Official Mazda Australia

Place du Jeu de Balle: Neat Horse

2022-11-05T00:46:04.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/250 sec. — ƒ/4 — 36mm — ISO 200

Lots of random bits and pieces lying around at the Place du Jeu de Balle (Old Market) Flea Markets in Brussels.

Watermelon Towel

2022-08-23T02:27:43.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/100 sec. — ƒ/22 — 36mm — ISO 100

Luigis Farm: Power Lines

2022-08-22T21:46:42.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/100 sec. — ƒ/13 — 96mm — ISO 400

Cat in the Window

2022-08-20T03:50:19.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/160 sec. — ƒ/16 — 30mm — ISO 100

Fish Markets: Sully

2022-08-20T00:29:03.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/160 sec. — ƒ/4.5 — 56mm — ISO 200

Monastero dei Benedettini di San Nicolò l'Arena

2022-08-19T07:29:24.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/125 sec. — ƒ/13 — 45mm — ISO 100

Piazza Università

2022-08-19T02:22:51.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/100 sec. — ƒ/22 — 24mm — ISO 100

Catania Street Art

2022-08-19T02:11:14.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/100 sec. — ƒ/10 — 24mm — ISO 100

Teatro Massimo Vincenzo Bellini

2022-08-19T02:03:24.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/100 sec. — ƒ/22 — 24mm — ISO 100

Taormina Steps

2022-08-18T00:20:58.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/125 sec. — ƒ/9 — 41mm — ISO 100

Mt Etna

2022-08-17T02:59:33.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/125 sec. — ƒ/11 — 24mm — ISO 50

Mount Etna, or simply Etna, is an active stratovolcano on the east coast of Sicily, Italy, in the Metropolitan City of Catania, between the cities of Messina and Catania. It is one of the tallest active volcanoes in Europe, and the tallest peak in Italy south of the Alps with a current height of 3,357m. What's interesting is that it doesn't look like your average volcano as it is actually comprised of three separate peaks.

The most recent eruption was in February of this year (2022) so due to volcanic activity you are only able to get to approx 3,200 metres.

Chiesa di Santa Caterina d'Alessandria

2022-08-15T03:04:21.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/125 sec. — ƒ/4 — 45mm — ISO 800

Grand Catholic church in the city center with ornate decor & a collection of precious artworks.

Porta Nuova

2022-08-15T01:49:47.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/100 sec. — ƒ/13 — 44mm — ISO 100

Landmark triumphal arch & gateway built in 1570 & standing at 43 meters high, with Moorish statues.

Cattedrale di Palermo

2022-08-15T00:39:07.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/80 sec. — ƒ/20 — 53mm — ISO 200

4 bell towers top this architecturally diverse church dating from the 1100s & housing royal tombs.

Cattedrale di Palermo

2022-08-15T00:37:26.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/80 sec. — ƒ/22 — 26mm — ISO 200

4 bell towers top this architecturally diverse church dating from the 1100s & housing royal tombs.

Cattedrale di Palermo at Golden Hour

2022-08-14T11:17:09.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/160 sec. — ƒ/4 — 49mm — ISO 640

4 bell towers top this architecturally diverse church dating from the 1100s & housing royal tombs.

Sicily is not Italy

2022-08-13T01:59:48.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/200 sec. — ƒ/9 — 105mm — ISO 400

Cattedrale di Palermo

2022-08-13T01:39:57.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/200 sec. — ƒ/7.1 — 24mm — ISO 50

4 bell towers top this architecturally diverse church dating from the 1100s & housing royal tombs.

Auto Italia: Ferrari

2022-04-03T01:17:37.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/200 sec. — ƒ/4 — 61mm — ISO 100

Volkswagen Golf MK1

2022-03-06T01:16:43.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/200 sec. — ƒ/5 — 32mm — ISO 100

MG 1979

2022-03-06T00:05:14.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/200 sec. — ƒ/5 — 52mm — ISO 80

Hosier Lane: Read the following if you're a moron...

2019-12-22T23:15:46.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/640 sec. — ƒ/4 — 63mm — ISO 400

Australian War Memorial Annex

2019-10-07T07:16:35.000Z

Sony A7II - FE 24-70mm ƒ/4 ZA OSS — 1/200 sec. — ƒ/4 — 27mm — ISO 1250

VW Golf

2018-06-03T05:06:20.000Z

Nikon D200 - Nikon 18-70mm ƒ/3.5-4.5 — 1/125 sec. — ƒ/7.1 — 27mm — ISO 200

Editing style inspired by @the_kyza & @mikecrawat.

Chevrolet

2015-01-24T23:48:22.000Z

Pentax *ist DL - PENTAX-F 35-105mm ƒ/4-5.6 — 1/160 sec. — ƒ/4 — 42mm — ISO 200

Australia Day 2015

Sunset

2008-06-15T08:07:23.000Z

Pentax *ist DL - PENTAX-F 35-105mm ƒ/4-5.6 — 1/4000 sec. — ƒ/5.6 — 315mm — ISO 3200

A photo from long ago, 2008. Back when I got my first DSLR camera, the mighty Pentax *ist DL. Digital was much cheaper for young me at the time having to fork out $$$ every time I wanted to get my film photos developed and printed.

Abstract Lights

2008-03-08T12:23:25.000Z

Pentax *ist DL - PENTAX-F 35-105mm ƒ/4-5.6 — 15 sec. — ƒ/16 — 28mm — ISO 200

Taken at the Northern Lights show in Adelaide, where different designs were projected onto historic buildings.

The effect was done in camera by using a slow 15 second shutter speed and slowly zooming out. Only post-production applied was some very minor contrast boosting.